Wednesday, October 27, 2010

A La Recherche du Cheese Perdu. Fall FOOD issue of LOST magazine

  

IMG_2.JPG
pimento cheese recipe from the Amateur Gourmet
A La Recherche du Cheese Perdu
Here is my new original piece in the current FOOD issue of LOST magazine
Bon appetit!

Pimento Cheese sandwiches are the petite Madeleines of my childhood. My mother is a splendid
Southern cook who taught herself "from scratch." The first time she made chocolate chip cookies
as a girl, she proudly mixed the sticky batter and then deposited a thick mound of chocolate-studded
dough onto a cookie sheet. She watched through her General Electric oven's glass window and waited
patiently for the little mountain of dough to separate into two dozen perfect cookies.

When my mother married — after an exciting stint as a World War II telegrapher on the Wabash
Cannonball railroad — she followed her brand new Betty Crocker cookbook with some inventions
of her own.

"I was determined to fatten your father up," mother tells the story. "After all, that was my job back
 in those days. That, and having you kids."

She took to her recipe books with the same zeal with which she had aced Morse code — a language
she remembers to this day. By the time I, her firstborn conceived on the honeymoon, was eating
real food, my mother's counter boasted a handy metal file of index cards with recipes begged,
borrowed, never stolen. Her archives were a gold mine coveted by other cooks.

The colorful little tabs were labeled with complimentary dishes:

East Indian Chicken and curried sweet potatoes
Sausage cookies and sweet pickle ChowChow
Barbecued butter beans and hot, wilted lettuce
Peanut-butter fruitcake, cherry and pineapple fudge
Divinity spiked with black walnuts.

These specialty nuts Mother bought from a black market of housewives in Georgia. She would
clandestinely receive a burlap sack of these smoky, almost bitter nuts. Their shells were so hard
she flopped the bag on our driveway and ran over them with the family station wagon to crack
them open.

Since we lived my early years on a U.S. Forest Service station in the High Sierra, surrounded
by more wild animals than possible dinner guests, my mother experimented with the game my
forester father brought home. The lean, sweet meat of the majestic moose was "mooseghetti" 
with a spicy marina; venison was ground into lean burgers; and elk was our weekly pot roast
garnished with dill potatoes.

Growing up on game as my own body flexed its muscles and stretched its bones, left me forever
unable to become a vegetarian. Every time I try to go from carnivore to gentle grazer, I succumb
to the family heritage:  anemia.

That's where cheese comes in. It is my protein of choice. And because of cheese I can survive on
just a few helpings of meat a week. Cheese is my one vice. I have no sweet tooth; and, coming
from generations of tea-totallers, I cannot process alcohol. I had to give up caffeine in 1986
when I became "allergic to my own adrenalin," as the doctor marveled. So, of necessity, I am
moderate in most all things. The only time I ever understand addictions is when it comes to cheese.
Gotta have it!

When I lived in New York City I stood in line for so long awaiting my special dill havarti that I
fainted. But the crush of the crowd held me upright.

"Diabetic?" a kindly shopper asked me. "Need orange juice?"

"No," I managed to revive. "Cheese … smoked gouda, please."

The recent boom in specialty cheese counters at such "foodie" hang-outs as Whole Foods and
even now local farmers' markets, boggle my mind. As I cruise through, I sample tempting cheese
bits with a pleasure that is part connoisseur, part junkie.

Here in the Pacific Northwest where I've lived for over two decades, there are celebrated creameries
whose cheeses draw coven-like converts. I call their hand-crafted cheeses by name like a mantra:
Rogue River Blue, Mt. Townsend "Sea Stack" and Cowgirl Creamery's Devil's Gulch with its spicy,
dried red pepper flake rind.

But one shopping trip I dared to ask a sacrilegious question of our Cheese Master at the urban temple
of our high-end food market.

"Say, do you ever carry Pimento Cheese spread?"

"What?" the Cheese Master snapped. "A spread?" He shook his head as if I had proposed
something obscene. But wasn't peppery cheese a perfectly respectable combination?

"My mother makes it," I said. "It's got a kick … a little spicy and …. "

"Never heard of it!" The Master dismissed me and turned to an elegant shopper in line behind me. 
His world was righted when she ordered a Camembert.

I was familiar with this Master and had always enjoyed his Beardesque generosity in helping me
adventure through the rich territory of my favorite food. I never expected he would be such a
cheese snob.

James Beard, you are not! I wanted to tell the Master; but instead I plucked up a respectably aged
Irish cheddar. Then I skulked around the supermarket like a heretic to find roasted pimentos in a jar.
As I stood before colorful jars of Italian roasted pimentos, I straightened my shoulders and stood tall.
There was nothing wrong with wanting a food that summons up all that was most wonderful about
my childhood. Proust never apologized for dipping those rather pedestrian butter cookies into his
tea and opening a time-traveling portal.

Why not me? And why not with Pimento Cheese? Why had this blessing from my childhood
cuisine disappeared? Why had it not conquered and captured the imagination of the American table?

Right there in the super market, I called my mother on my cell.

"Are there any top-secret ingredients to your Pimento Cheese?" I asked her.

My mother worked for 17 years at the C.I.A. I don't know what she did, except she had a top
security clearance and worked in a vault that locked at night. Every Christmas she still gives us
C.I.A. memorabilia, like travel mugs, t-shifts, and little silver boxes that open into a pen and
calculator set — if one can figure out the puzzle.

"There are a few secrets to pimento cheese," mother said. "And use the very best cheddar you
can find."

Check.

"Then find fire-roasted pimentos. I make my own special dressing:  Heat two tablespoons of
flour and two egg yolks in a saucepan until bubbly. Add a little vinegar, salt, red pepper, and
of course, dry mustard — that really gives it some pizzazz! Stir in ¾ cup milk and some butter,
heat on low.

And here's the secret — add two tablespoons of sugar," she laughed. "Remember, your
grandmother always said that everything goes better — even vegetables — with just a bit
of sugar."

I knew this last ingredient would make the Cheese Master wince. But happily I zipped around
the market gathering all I needed. And to add to my mother's recipe I found a fabulous one in
The Gift of Southern Cooking by Edna Lewis and Scott Peacock. They write:  "There's not a
big tradition of hors d'oeuvre in the South," famous for its "dry" counties. "Drinks before
dinner — and anytime — are considered a scandal … 'pimento cheese' on a cracker or with
celery sticks is a terrific cocktail nibble."

Of course, these experts advise making one's own mayonnaise. Well, that's not in my league
or in this lifetime.

I am culinary-impaired. Always anxious in the kitchen, I stock my oven with organic kibbles
for my two cats, blue corn chips, and peanut butter pretzels to slake my salt tooth. My
microwave doubles as a breadbox. Though my fridge's cheese keeper is full of stiltons, blues,
and brie, the other shelves are scantily stocked:  take-out Thai, cold cuts, organic veggies,
Russian borscht and piroshkies from my friend, Dianochka. She is an inspired chef who cooks
for her family and brings me delicacies every Tuesday night after singing. She has helped me
understand food as more than fuel for a pit stop between computers.

Then there was my first editor, the legendary cuisine guru, Judith Jones, who discovered Julia
Child and James Beard. Judith's own bestselling book The Pleasures of Cooking for One has
an entire chapter devoted to "The Seduction of Cheese." Unlike my Southern style of eating
Pimento Cheese as prelude to any meal, Judith ends her meal with cheese each night when
she dines alone.

Girded by all these culinary guides, I decided to attempt to make my own pimento cheese. Yes
it's like playing chopsticks on the piano. But maybe if I can sing, I can also do two-fingered cooking
.
In The Gift of Southern Cooking by Miss Edna Lewis and Scott Peacock, two of Judith's famed chefs,
I found a Pimento Cheese recipe; it is also posted online at The Amateur Gourmet. Shooing my cats
off the counter, I grated the Irish cheddar, but with some effort. Judith recommends a carpenter's rasp
for grating cheese. Then I folded in the mayonnaise, seasoned with salt, cayenne, and black pepper.
 I reverently spread the Pimento Cheese on artisan bread, a fresh baguette from our world-famous
neighborhood Bakery Nouveau. I garnished it with sweet, chunky Persian cucumbers and pickled
asparagus from our Sunday farmer's market. Then I enjoyed smoked salmon chowder from our
local Pike Place Chowder. Voila!

So as they say in the South — I was lost … but now? The spicy, sharp and creamy aroma of cheddar
harmonizing with the peppery tang of pimentos. A la recheche du temps perdu. Cheese as the
voluptuous communion, the body as soul.

BACK TO TOP
===========================================================================================
AUTHOR BIO:
BRENDA PETERSON is the author of 16 books, includingDuck and Cover, a New York Times "Notable Book of the Year." Her new memoir, I Want To Be Left Behind: Finding Rapture Here on Earth, is just out and was selected as an "IndieNext" Top Pick by independent booksellers nationwide. Read more at http://www.IWantToBeLeftBehind.com.
Articles in this Issue
Introduction, by the Editors
Monkey Head Soup, by Charles Lindsay
Barbarians at the Hotel Bar, by Edward Chupack
Desert Survival, by Craig Childs
A La Recherché du Cheese Perdu, by Brenda Peterson
Heaven on the Half Shell, by Andrew Beahrs
A Hog Butchering, by Thorpe Moeckel
Lamb Shanks Roasted in Paper, by One Ring Zero
Lemon Meringue Pie, by Alan Huffman
Making Sajur Lodeh, by Julie Lauterbach-Colby
Lost Meals, by Phil Buehler
It's Seaweed Weather!, by Wendy Noritake
The Ingot, by Edward Hardy
My All-American Bacchanal's Deep-Fried Remains, by Nick Kolakowski
The Last Supper, by Susan Buttenwieser
The Spoils Room, by T. D.
A Taste for Tonka, by Ramin Ganeshram
Recipe Cards, by Ted Weinstein







Wednesday, October 13, 2010

We Are Pod: Dolphins as Elders and Teachers

Dolphins Leaping in California surf


My new Huffington Post commentary is out as a featured post on GREEN and on WORLD/Japan. Please send this around to your contacts, post to your FaceBook pages, and comment on the Huff. It lets the Huff Post know that readers care about our oceans and wildlife. And for readers of this blog, I’ve added an excerpt about Hawaiian spinner dolphins I encountered that first appeared in my book, Sister Stories (Viking/Penguin paperback)



THE HUFFINGTON POST
OCTOBER 13, 2010

 FEATURED POSTS
1 of 6
Brenda Peterson, 10.12.2010
Author, "I Want to Be Left Behind"
Instead of changing their environment to fit themselves, dolphins have adapted to a changing ocean.
That's what wise elders teach their young: Cultures change. Oceans change. We must change, as well.





Why Dolphins are another Reason to Be Left Behind

(Excerpted from Sister Stories “Sister as Pod and Pachyderm” (Viking/Penguin)

While on a humpback whale research trip in Hawaii, I had the great good fortune to kayak into a warm-water bay and find myself suddenly surrounded by a pod of sleek spinner dolphins.
            “We’re in the middle of their nursery,” our kayak guide whispered as we paddled slowly through deep, turquoise waters.
            Six dorsal fins swam close behind me, their twoosh, twoosh, a fast, intimate exhalation, like a musical, synchronized sigh.
            Then there were more dolphin inspirations as thirty or so spinners swam close, circling us. At the sight of so many wild dolphins, I leaned over in wonder and capsized. Plunged underwater, I was laughing so much I swallowed salty gulps of ocean. Then I heard them, that familiar, high-pitched click and whir like a cross between a Geiger counter and a small jet engine. I floated, holding my breath and listening and smiling as the nursery pod circled me, spinning through the waves.
            Whenever I encounter wild dolphins, I can feel the communication. First, there is that calming quiet of my nervous system as I leave gravity above and float –- warm water like an intimate second skin perfect and complete embrace of me.
Then there is the dolphin signature whistling and sonar like a much-loved song, lulling and caressing my body from the inside outwards, along each limb until my fingers and toes feel radiant, electric. Ecstasy eases into every ache and hidden hurt in my body and I stretch out as if in a serene, flying dream. Only, this rapture is underwater and accompanied by the clicking, kind scrutiny of an alien intelligence I can only begin to fathom.
            The dolphins always surprise me with their tenderness. I tried to synchronize my breathing with the dolphins and when I lifted my face, I saw several spinners leaping up, somersaulting, then diving back into the sea, their wake splashing over my back. I attempted my human version of a signature whistle, complete with rapid-fire gurgles and bleeps. It seemed to amuse and interest the nursery pod because they all suddenly cruised closer in a dazzling display of acrobatic dolphin dance.
            Imagine dozens of dolphins speeding by in a blur of silver and gray skin, ultrasound, and curve of fin, streaking past in one breath, as if one body. Inside my body their speed and sound registers like a trillion ricochets, tiny vibrations echoing off my ribs, within each lobe of my lungs, and spinning inside my labyrinthine brain like new synapses.
            Then I was alone for a moment. I drifted through the depths so lost in this watery dreamtime that my mind was also adrift. It is always during these meditative underwater moments that the dolphins seem most to cherish their human companions. Suddenly I saw out of the corner of each eye three dolphins flanking me –- and among them were several tiny dorsal fins –- newborns guarded by their nursery pod.
I was accepted inside their pod, surrounded by fast spinners who slowed to accompany my pace. They kept me in their exact center for what seemed an hour, and it was only then that I understood what it feels like to be fully adopted into the deep, welcoming physical communion of dolphins.
            I am pod, I felt, with no sense of my single self. I belong.
            Mystics may call it divine union, this melding of minds, bodies, and souls, this solitude that suddenly opens into the solace of We are one.
            Dolphins are known to be self-aware; they also show us this soul-mingling and connection, which our human species only glimpses in rare spiritual insights. Perhaps this is what dolphins have spent their long evolution achieving:
Instead of changing their environment around them, they have changed themselves; those big brains are attuning themselves to one another and the natural world. Maybe that’s what they’ve been doing these thirty million years longer than humans have been around: seeking to survive together as a whole. Meanwhile, we’ve been battling and selecting who among us will survive, never imagining that we are all humans, all one pod.





(Excerpted from Sister Stories “Sister as Pod and Pachyderm” (Viking/Penguin paperback)






Thursday, September 16, 2010

War Games R Us





(From Medal of Honor 2 / Heroes)
                                                        
As a native Californian, when I got transplanted to the South, all the rules of our childhood games changed. Suddenly we were at war and as an outsider I had to play the despised Yankee. Maybe this time, the Confederacy would win? In Virginia, the Old Dominion, the Civil War was still dominating our imaginations. It was 1960, the Civil Rights Act was four years away; schools and buses and bathrooms were still marked “colored.”  When we ragtag Yankee kids laid siege to a well-stocked tree fort of Confederate children, chestnuts rained down on our heads. Always, we were defeated. No matter that history said otherwise. 

I was thinking about growing up playing war games in the forests of my childhood after I read a recent New York Times magazine article, "War Games." I was so surprised by the statistics about virtual war far outpacing any real connection or even interest in the two wars our country is fighting, that I wrote a Huffington Post.

Video games and how they shape our imaginations, our abilities to mediate conflict, and our psychological health, have long concerned me. In 1996 I wrote an article for New Age Journal "Healing Visual Violence."

I tell the story of a friend's 12-year-old son who, until recently, was addicted to video games. His grades were plummeting and he blamed this on his teacher, Miss Haines. Every afternoon he'd sit in front of his video games and imagine that with every "kill" he was getting rid of Miss Haines and all of his school problems.

One day, Miss Haines didn't appear at school, and the substitute gently told the students she had died from an aneurysm. Freddie was guilt-stricken, convinced his video game assassinations had reached out through virtual reality and killed his teacher. A kind of child-like voodoo. 

Freddie gave away all his video games and is now afraid to enter cyberspace. This is affecting his schoolwork and his learning skills. But he is haunted and depressed. He wonders if Miss Haines would still be alive if he had not targeted her in his game. And from time to time now, Freddie contemplates suicide.

A survey estimated that by the end of elementary school, the average child has already witnessed 8,000 screen murders and more than 100,00 acts of TV or film violence; those numbers have dramatically increased with war games. The Columbine High School boys who massacred their teachers and classmates in 1999, were immersed in the first-person shooter games of the popular “Doom” video. Almost a decade later, the boom in virtual warriors is staggering. 

Added to the sky-rocketing sales of virtual war games like “Medal of Honor,” which is advertised as “authentically” set in Afghanistan, there is a truly disturbing (and highly marketable) series of war videos based on the violent End Times novels by Tim LeHaye. “Left Behind: Eternal Forces” is religious warfare in the streets of post-apocalyptic New York. Virtual warriors can command their fundamentalist paramilitary armies to convert opponents. Sound like the Crusades in cyberspace? Pray or die. 


At least there is some real emotion in the screenshot below from Left Behind: Eternal Forces. But the battle armor and the other images of paramilitary forces battling for souls with automatic weapons is disturbing.




(screenshot from left Behind: Eternal Forces)




There was much criticism when these “Left Behind” war games were first released in 2006, especially when reports that this Christian fundamentalist game was actually being provided to American troops in Iraq and Afghanistan – Muslim nations.

Religious war, with its simplistic “God on our Side” morality is the most toxic of all. So why recreate it in our virtual imaginations? What does this kind of religious insensitivity and intolerance say about Americans – the demographic who most buys video war games?


After the media got wind of the Pentagon's plans to distribute to troops in the field, the "Left Behind"  war games of Armageddon battles and soldiers fighting the AntiChrist -- something wonderful happened. The "Left Behind" games garnered intense criticism. Left Behind games stocks tanked and there were even a few firings. Thank God. Here's a link to that controversy at the excellent website: Talk to Action: 

But the fact still remains, as the 9.11 anniversary September 12, 2010 issue of New York Times magazines reveals, that war video games are still reaping huge profits. 


And the military has sent off its soldiers with video war games like "Conflict: Desert Storm" in their backpacks. Are war games being used as a recruiting tool for young men who believe they will triumphantly march from virtual victory to real war? 


A media report "War Games: Thinking Critically About Video Games That Play at War" offers in-class discussion of how these games might be "propaganda" and asks "what information or aspects of war do these images ignore or gloss over?"


Is it war profiteering? And when these war games are marketed to teenagers, like Freddie, how does it shape their ability to face conflict in their real worlds? Does it limit their options, their survival skills? And what about bullying – the bane of school poltics?

We’ve come a long way from the Civil Wars of my childhood, the tree forts and acorns and Yankee-Rebel battles. One of my therapist friends tells me that he always asks his clients:
        
         “If you had to describe your inner wars, what historic war would it most resemble?”

         “The Revolutionary War,” a majority of his teenage clients answered who were struggling for their own independence.
        
         “Oh, the Civil War, for sure,” those clients who were more mature responded.

They realized that the most intimate evil and most elusive enemies are often hidden in one’s own shadows. These clients were engaged in the difficult and brave art of not projecting their own demons onto the outside world or The Other.

         After all these decades, I’m still fighting the Civil War, but I realize it is a life-long internal struggle. My wars are within me. Just like God.~




“War Games,” New York Times magazine link: 

“War as Entertainment: The Real, the Game, and the Ugly Truth” on Huffington Post:Huffington Post


Media Education Foundation "War Games: Thinking Critically About Video Games That Play at War" download pdf.


"Healing Visual Violence" by Brenda Peterson, New Age Journal, December, 1996

Saturday, August 7, 2010

Oil Spills, Plumes and Dead Zones: The Mayan Calendar


nasa bp oil spill photo
Image: NASA, public domain. oil spill as seen from space May 17, 2010

http://www.treehugger.com/files/2010/06/bp-denies-existence-underwater-oil-plumes-gulf-mexico.php




Here is my new Huffington Post, which I hope will help balance all the denial and overly optimistic federal and BP announcements that the oil spill is “gone.” Please read and pass around. I was gratified that the Post accepted a piece that included environmental fiction as a commentary on the oil spill’s Dead zone. It’s from Animal Heart – a novel that is even more timely now!

Brenda Peterson: Gulf Oil Spill Meets Dead Zone: What Lies Beneath

Aug 5, 2010 ... Facts can be filed away and forgotten. But a story is often vividly remembered. So here's a story about the Gulf of Mexico Dead Zone -- what ...
www.huffingtonpost.com/brenda-peterson/gulf-oil-spill-meets-dead_b_671088.html

Adding to what I’ve written about oil plumes and increasing dead zones in our oceans in the Huffington Post, here is a dream that I had the day before I first saw these NASA images from space. It was one of those dreams that are so vivid and haunting that it is difficult to awaken into this reality and carry on as if nothing had happened.


In the dream I am on the beach in what I recognize as Yucatan and the Gulf of Mexico from a visit there in the 1990s. Several of my friends and people who are quite graceful and in indigenous clothes are gathered around a squat box.

“Is it a seal?” someone cries out and calls me over. As a long-time wildlife advocate and founder of Seal Sitters, I often spend time sitting with seal pups on our Salish Sea beaches, protecting them from dogs and overly curious people.

So it was familiar for me to be asked to look over this seal. What was not familiar was the very ornate box, carved with all sorts of mythic creatures in a dark cherry wood. It seemed alive.

Pandora-style, I open the box, and inside is a gigantic sea snake. Cobra-like, the serpent begins to sway and rise up to an immense height.

“This is a very dangerous and powerful snake!” I tell the villagers and they scatter.

Suddenly I am all alone with the creature. Transfixed, I feel my feet sinking in the beach sand, but I cannot move. The paralysis of dreamtime binds my limbs as I watch this serpent rise up and up until she is towering over me. Those black, obsidian eyes do not blink, but hold mine as if we are in communion. But I do not yet understand.

[Any of you who have read my new memoir will remember that as a child a rattlesnake coiled and slept on my chest so I have a long history with snakes. I see them not as evil, but as divine messengers. Think of the Eleusinian Mysteries of Ancient Greece, the sacred snake goddesses of Crete, and the wisdom of Egypt’s cobras. In chapter 1 of I Want to Be Left Behind, there is a story of a Snake School that teaches compassion and forgiveness. So my relationship with serpents is one of respect and reverence.]

So as I gaze up at this massive sea snake on the Yucatan beach, I am more mesmerized than frightened. She is very powerful and as I try to fathom what she is teaching me in that slow dance as she spirals up into the sky, the sea serpent transforms.

First the head opens into a plume of brilliantly colored feathers – yellow and scarlet. A beak sprouts from the serpent’s tongue and then the dancing body metamorphoses into a beautiful bird. Body long and elegant, still swaying. Immediately I recognize the creature: the plumed serpent, the Mayan bird-snake called Quetzalcoatl.

The plumed serpent spreads her translucent wings, but is no flight. I wonder, does she ever fly? Instead, she dances on the sand until the sea and surf open to her like a watery portal. She looks at me only once and then disappears under the sea. I plunge into the waves and can still barely make out her shadow far beneath the surface of the sea.


I could barely awaken from the dream and images of the brightly colored bird-serpent kept interrupting my daily routine. It was only two days later, when I was writing a blog and posting a NASA satellite image of the Gulf oil spill that I recognized: the oil spill was the plumed serpent of my dream and the Gulf of Mexico, once revered by Mayans, was now shadowed by a spill that looked eerily like Quetzalcoatl.

Look for yourself. I’m not making any end-of-the-world predictions about 2012 and the Mayan calendar. My mind doesn’t go there with this. Where my thoughts always go is to the symbolic and mythic, the play and weave imagination and the so-called real.

It’s worth noting our dreams and our realities and how they intersect in that littoral zone and light – the meeting place.

The oil spill is still a shadowy plume at the bottom of our Gulf of Mexico. At one point, even as British Petroleum still denies its existence, U. of Southern Florida scientists measured the plume as 22 miles long, six miles wide, and 1,000 ft. deep. We have ample documentation on the Dead Zones in the Gulf and our world. For those of us who live and look under the surface of things, who listen to our dreams, we must stay awake. Even if it means paying more attention to our dreams.

We must try to fathom what we cannot see. That’s what science and dreams both ask of us. 
As W.B. Yeats wrote, “In dreams begin responsibility.”

Both scientists and dreams are telling us, the spill is now a plume underwater. It only awaits a hurricane to be revealed. 





"Quetzalcoatl, Plumed Serpent" by William A. Clayton: see original at this link:





And here is a world map of well documented Dead Zones. Notice the Gulf's saturation with Dead Zones. And now BP wants to drill another exploratory well like the one that just spilled, in the same waters.


nasa ocean dead zones image


Friday, July 16, 2010

Oil Spill: A Great Awakening?


My new This Huffington Post blog, "Oil Spill: A Great Awakening" is all over the internet -- http://www.huffingtonpost.com/brenda-peterson/oil-spill-a-great-awakeni_b_641160.html
appearing in such diverse websites as End Times News and Earth First. It's deeply gratifying
to see this post being linked on green sites all over the world. It is also being read and
discussed on conservative sites, such as NewsBusters.org. Their article is suspicious of
any "eco-theology" while giving it lots of press.

Kind of like the censors of any burgeoning spiritual movement who, in trying to deny that belief,
actually end up spreading its "gospel." NewsBusters cites eco-theology as a "media craze" and
is a little wary of "earth worship." It fears that Christian environmentalism is "a product of a
left-wing media culture?" and cites The Huffington Post as an example.

Read more: http://newsbusters.org/blogs/jeff-poor/2010/07/14/new-media-craze-eco-theology-using-oil-spill-religion-promote-green-agend#ixzz0tskpwn16

But the reporter does a good job of surveying this new landscape. And I welcome the
dialogue with conservative Christians. We're all here on this earth together.

Thanks so much for all of you who have taken the time to read this. I will write more as the dialogue continues. As we move into seal pup season here on Alki Beach we are all on patrol looking for pups. See this interview on People for Puget Sound website:
http://pugetsound.org/programs/education/071510pup

And, as always, please see our website: http://www.SealSitters.org for more information on sharing our shores with other neighbors, non-human!

Brenda Peterson

www.IWantToBeLeftBehind.com
Read the Article at HuffingtonPost